Year: 2022

Ege Kanar

Ege Kanar’s work explores lens-based media from an ontological standpoint dealing with topics such as materiality, indexicality, representation, and memory to ponder on intrinsic ways photographic images construct meaning. 

The artist deals with conventions of seeing that are tailored by scientific disciplines such as astronomy, geology, and anthropology; or by power structures such as family, and the state. 

Kanar studied “Visual Arts and Communication Design” at Sabancı University in Istanbul, and completed an M.A. degree on “Photography” at The Academy of Performing Arts (FAMU) in Prague. 

He lives in Istanbul and currently teaches at Bahcesehir University Photography and Video Department. 

Lise Dua

“‘I’m not only writing for myself anymore’ is a dialogue between my father’s images and mine. During ten years I photographed my younger sister and recently I begun to associate this series with the pictures my father took of me as a child. I discovered echoes and similarities between the photographs I captured and the ones my father took off me. Unconsciously repeated these images describe the link between different generations of a unique family.


‘Loyalties’ is a corpus of photographs, drawings and cut-outs papers on photographs. From family albums, I became interested in the gestures that repeated from one album to another, from one generation to another. Some détails appeared to me, fragments that I have cropped, in order to recompose new images. Those images, than assembled in dyptichs, highlight relationships between two bodies through the years.”