Year: 2022

Avalon K Hale-Thomson

Avalon K Hale-Thomson (b.1999) is a digital archivist and illustrator born and based in London. Her current project, ‘@craigslistcore’ is an exploration in the ethical boundaries of digital found photography. An online archive comprised of photos uploaded to Craigslist in North America, it is intended to question the consequences of shifting images in and out of different contexts and across different mediums, the morality of cyber-voyeurism, and the bleeding overlap between the ‘offline’ and the ‘online’, the ‘private’ and the ‘public’. Originally curated on Instagram, @craigslistcore was forcibly deleted in February 2022 for violating the terms of service. For access to the archive in its current form visit https://gnosis.show/avalonhale.php or contact [email protected].

Ebay Archives

An archvial project started in the first Covid-19 Lockdown of 2020 and continued since, Ebay Archives consists of found photographic images from boxes of strangers’ 35mm colour film slides bought on Ebay. The photos are from all over the world, date from the 1950s – 1990s, and the original photographers all remain unknown. How the slides end up on Ebay and in the artist’s hands is mostly a mystery, although it is suspected that most are resold from estate sales and flea markets. The images come with no backstory or origin information from the sellers – although some have dates, locations, or the names of subjects scribbled on the physical slide by their origional owners. The images can be used to study a range of concepts surrounding photography and the camera as a cultural object, such as ownership of the image, the intersection between public and private, the accessability of photography through time and the crisis of representation.

Ege Kanar

Ege Kanar’s work explores lens-based media from an ontological standpoint dealing with topics such as materiality, indexicality, representation, and memory to ponder on intrinsic ways photographic images construct meaning. 

The artist deals with conventions of seeing that are tailored by scientific disciplines such as astronomy, geology, and anthropology; or by power structures such as family, and the state. 

Kanar studied “Visual Arts and Communication Design” at Sabancı University in Istanbul, and completed an M.A. degree on “Photography” at The Academy of Performing Arts (FAMU) in Prague. 

He lives in Istanbul and currently teaches at Bahcesehir University Photography and Video Department. 

Lise Dua

“‘I’m not only writing for myself anymore’ is a dialogue between my father’s images and mine. During ten years I photographed my younger sister and recently I begun to associate this series with the pictures my father took of me as a child. I discovered echoes and similarities between the photographs I captured and the ones my father took off me. Unconsciously repeated these images describe the link between different generations of a unique family.


‘Loyalties’ is a corpus of photographs, drawings and cut-outs papers on photographs. From family albums, I became interested in the gestures that repeated from one album to another, from one generation to another. Some détails appeared to me, fragments that I have cropped, in order to recompose new images. Those images, than assembled in dyptichs, highlight relationships between two bodies through the years.”