Year: 2021

PS Archive

Patty Struik is a visual artist, who initially worked under her own name, making photo works and installations, collages and books. Since 1993 she was mainly active under the brand name LaSalle, a partnership with Albert Goederond. Most of their work concerned large projects in the public domain. See: www.lasalle.nu.

Collecting things and especially images has been a constant factor during all the years of her artistic work. Initially, in binders and filing cabinets, and later digitally. She has built up a very large archive that is continuously expanded and catalogued. It functions as a lively thoughts- and idea-reservoir, used when there is an external demand for her work.

Typical of Struik’s choices and the overall look is an eclectic, ‘cross-over’ character, converging very different times and cultural influences.

Depending on the specific demand or situation, she makes sharp, highly subjective choices. And so out of this diversity arises an identifiable entity. For her it is also important that every image on his own is of high quality.

In recent years Struik works on books and collages again, and is sharing a selection of her collections actively on Facebook. She began presenting image compositions by using projections in space and in digital frames.

She also completed a research assignment, made a concept for a big presentation at the Dutch Keukenhof Castle, received commissions for the Rijnstate Hospital, X BANK and Duchess Amsterdam.

At present Struik is looking for more opportunities to (financially) exploit her archive.

Macaroni Book

Macaronibook is an independent publishing house founded by the photographer and visual artist Camille Carbonaro in 2016 based in Brussels. It focuses on photographic and poetic projects that deal about memory, identity, genealogy and exile with a particular attention to the relation between pictures, archives and texts.

It’s driven by a spirit of independence and permanent research of the harmony between paper, printing and images through the publication of hand made book-object and fanzines in a limited number of copies.”

1 – Thibault Tourmente

2 – Prune Phi

3 – Antonia Petritti

4 – Maria Vittoria Desiato

5 & 6 – Milica Stefanovic

7 – Païen

8 – Quentin Yvelin

Artist Field

Part of our research explores the many definitions of the word Field /Fēld/: (Noun) An area rich in nature / land used for study and cultivation / A place where a subject of scientific study or of artistic representation can be observed in its natural location or context / A space within which objects are visible from a particular viewpoint / The region in which a particular condition prevails, especially one in which a force or influence is effective regardless of the presence or absence of a material medium / A space on which something is projected / an area viewed through an optical lens. It is magnetic, gravitational.

Sarah Jitjindar

Sarah is a visual artist and researcher based in London. Her work investigates the intrinsic nature of materials, their arrangement and the impact of process and time on their structure, as well as the reinterpretation of “non-art objects” as “art objects”. She holds a bachelor’s degree in Classical Studies and a master’s degree in Human Rights.

Nocturnia Book

Nocturnia Book is a project of visual research, archive and archeology of the photographic image. At a time in history when the body is seen as the form of content, Nocturnia remains anonymous by the author’s choice. Being in obscurity allows one to resist in a security zone where the alter ego is not necessarily a lie.

The Newsletter is the result of a stream of consciousness which various individual and collective narrative, culturally determined, are explored. These nocturnal projects, all coming from visual culture, communicate with each other through a fundamental component: relativism. 

Link Newsletters:

# 1https://mailchi.mp/fe7e11cf680e/the-nocturnia-book-newsletter-1?e=3f00ed2765
# 2https://mailchi.mp/70a1c0a31e95/the-nocturnia-book-newsletter-2?e=daf4a29ac8
# 3https://mailchi.mp/8e13c64f7fe0/the-nocturnia-book-newsletter-3?e=daf4a29ac8
# 4https://mailchi.mp/493140975979/the-nocturnia-book-newsletter-4?e=daf4a29ac8

Marie Quéau

Born in 1985 in Choisy-le-Roi (France), Marie Quéau has lived and worked in Paris since her last residency at the Cité internationale des arts in 2017. Graduate of the ENSP Arles (2009), her work has been exhibited at the PhotoLevallois Festival, the Salon de Montrouge, the International Festival of Fashion and Photography in Hyères, Filature Mulhouse, Gallery Michel Chomette, as well as in various museums and institutions. In 2012, she received the Nofound Photo Fair/de Groot Foundation Prize for her series Gojira

Started in 2013, her Odds and Ends project has already been supported by the CNES Space Observatory, the DRAC Grand Est, the Centre Européen d’Actions Artistiques Contemporaines (international project grants) and CNAP. In 2016, the artist was selected for a post-production residency at the CPIF (Centre Photographique d’Ile-de-France) where she exhibited Odds and Ends series within the frame of Les Précipités #3. Her photographs were also displayed at Présent & Projet exhibition, held at the Cité internationale des Arts in 2017. Marie Quéau was also laureate of the 2017 CNAP creation grants (contemporary documentary photography). In 2018, Odds end Ends won the Carré sur Seine Prize and was named among the finalists for the HSBC Photography Prize. In september 2018, her series Handbook was published by September Books. In 2021, Odds and ends was published by Area Books. In the meantime, Marie Quéau has participated in various collective exhibitions in Ofr. bookstore, Galerie Triple V and les Frigos in Paris. She has also taken part in collective publications such as Passion #3 “La belle vie sous un autre angle” and Talweg 02 (Pétrole éditions). She was laureate of the “Résidence sur Mesure” grant, supported by the French Institute, for her project “232,8°C” that will be led in Rio (Brazil) in 2019 and National Commission « Regard du Grand Paris » with CNAP and Atelier Médicis.

Dead Deer Walking

Kathleen Fonseca (Realtorsguide To The USA) developes narratives using photos sourced from real estate listings that explore American culture, politics and life in general. ~This series is called “Dead Deer Walking”. The photos are generated without human intervention. Infrared cameras are set up at wildlife feeding stations on farms and ranches, equipped with automatic flash and triggered by motion sensors. The sole purpose of the feeding stations is to develop and provide for a growing population of wildlife for hunting purposes. Animals are accustomed to finding food at these stations, the owner knows where to find the animals and the rest is venison in the freezer and a bust mounted over the fireplace. These photos are included in real estate listings to seduce the right buyer with the promise of abundant prey and thrilling hunts. I find the photos graceful, ghostly, ethereal and lovely.

Shadow over Shadow

“Shadow over Shadow” is a research about the tropes and genre conventions of film noir.

“A dark street in the early morning hours, splashed with a sudden downpour. Lamps form haloes in the murk. In a walk-up room, filled with the intermittent flashing of a neon sign from across the street, a man is waiting to murder or be murdered. (…) Standard lamps fallen on pile carpets, spilling a fan of light about the face of a corpse; interrogation rooms filled with nervous police, the witness framed at their center under a spotlight, heels clicking along subway or elevated platforms at night. (…) Here is a world where it is always night, always foggy or wet, filled with gunshots and sobs, where men wear turned-down brims on their hats and women loom in fur coats, guns thrust deep in their pockets…
And above all, shadow over shadow over shadow.”

Abel Picogna

Abel was born in Friuli in 1994. He attended the Art Institute of Udine, with filmic and photographic address. From the Friulian mountains he moved to the Venetian lagoon, continuing his studies at the Academy of Fine Arts, thus deepening his photographic research by walking around the city and exploring its suburbs. A course of Video Mapping, Interaction Design and Digital Photography lead him to deepen the virtual and interactive photography, then becoming the subject of his three-year thesis.

From the lagoon he will move to Urbino where he attends the ISIA, taking the specialization in photography, here he will carry out numerous projects, many of which in book form, instrument that will follow up to the thesis, where he will make a series of photographic books for children.